Creative Handscraft Home Decoration Art Work Flower Holder Ceramic Vase
Another couple might have given upward, but not Craig and Linda Fiebig. Afterward a botched remodel left their Seattle home nearly uninhabitable, the intrepid duo decided to build a new firm on the same property.
"If I hadn't had iii kids at the time, I would have chosen a loft downtown," says Linda, now a stay-calm mother of four. With that urban archetype in listen, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to design a colorful contemporary house that could suit the couple's burgeoning art drove and the demands of a growing family.
Perched on a rambling corner lot merely minutes from downtown, the new home consists of two parallel boxes linked by a narrow atrium. Support functions such as the kitchen, laundry, stairs and bathrooms are wrapped in ruddy Cor-Ten steel, while living spaces reside within a cedar cake set atop a glass plinth. "Nosotros used different materials to lawmaking the public and private spaces and to run across Linda'south desire for color and diversity," says pattern principal Tim Carlander, who collaborated on the project with his business firm'due south managing partner, Bill Vandeventer, and SBI Construction.
The home's artistic aspirations are evident from the entry, where storefront windows frame a compelling sail by Chinese American creative person Hung Liu. To the left sits Linda'due south office, an ocher command centre with expansive glass doors. Steel stairs on the opposite side of the entry pb to the atrium, which divides the business firm into public and private realms. "This house is laid out very functionally," Linda says. "There'due south no wasted space."
Steel armatures frame the living area and support the second flooring, freeing the surrounding curtain wall to embrace the sylvan setting (the landscape architect was Portland's Samuel Williamson). Glass doors open onto a pair of terraces and the lawn beyond, inviting an easy indoor-outdoor menstruation that'south ideal for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so in that location's nowhere for guests to linger.
Linda kept her color cravings in bank check when it came time to decorate. "I really had to fight my impulses, because I didn't want to steal the thunder from the architecture or the fine art," she says. The living room (furnished by Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored past a red Tai Ping carpet. A crimson zebra-patterned Chris Lehrecke futon from Ralph Pucci serves both groupings, its color repeated in the dining chairs. Past limiting the accents to a single hue, Skelton was able to satisfy the owner'due south desire for colour without upstaging the surroundings.
Artwork adorns every wall, making the pieces more approachable but too more vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, 13, Ingrid, xi, and Rhys, five. "There'due south going to be a sure charge per unit of attrition, and you just deal with it," shrugs Craig, an Information technology marketing manager. "The 2 of us accept damaged more art than the kids have," Linda confesses.
Click here to come across the gallery for "The Artful Home".
Linda, a Midwesterner by nascence, asked for enough of light to gainsay Seattle's oft gloomy weather. The architects obliged, lining the atrium's walls and ceiling with a nearly unbroken band of windows. Even the atrium floor is drinking glass, then lite can illuminate the basement during the day.
Glass bridges span the void above, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a bridge to get to the primary bath, Linda and Craig don't seem to mind. "My husband gets upward at v in the morning, so while he's getting ready, I tin even so be over in the sleeping accommodation sleeping," Linda says.
Owing to a variety of unforeseen circumstances, the house took six years from concept to completion. During that fourth dimension, the Fiebigs lived in a succession of rental houses and dispersed their fine art to friends. (Attention a party one evening, Craig raved about one of his host'south paintings, just to be reminded that the piece was his.) When they were finally reunited with their art, Linda was overcome. "Information technology was similar a child coming domicile from college," she says.
All those years of planning paid off, though. Calorie-free and greenery greet the Fiebigs at every plow, enshrining family unit and art in a setting that is worthy of both. "The business firm suits our lifestyle to a tee," Linda says. "People often ask the states what nosotros would modify. Nosotros're nevertheless hard-pressed to come up with an answer."
What the Pros Know
The living room fireplace and Linda'due south office look as though they're covered in Venetian plaster, simply the textile is actually Milestone, a hybridized Portland cement developed in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it water resistant and nearly impervious to cracking and fading. The material adheres to nigh any surface, then information technology'south platonic for walls, floors, countertops and showers, and it accepts the aforementioned universal tints used at paint stores, meaning that colour choices are infinite. The cost depends on the project just is comparable to quality tile or stone. Milestone tin be purchased simply from Artisan Finishes in Seattle (ArtisanFinishes.com), but company president Don Latimer is happy to assistance homeowners locate qualified installers in their area or to provide instruction to experienced do-it-yourselfers. "It'due south a adequately forgiving medium," Latimer says. "If yous take a failure, information technology'll be artistic, not structural."
Click here to see the gallery for "The Artful Dwelling".
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